Digital products are the dream side hustle: build a Notion dashboard once, sell a Lightroom preset pack a thousand times, package up a Canva template and let it earn while you sleep. The catch nobody mentions on the “make $10k with digital downloads” videos is that most digital products are assembled – from fonts, stock photos, icons, presets, and templates that other people made and licensed to you under specific terms. The thing you built is yours. A lot of the parts inside it are not.
Get the licensing wrong and you can face takedowns, refunds, a suspended shop, or a very unpleasant letter. Get it right and you can sell with confidence. Here’s the plain-language map. (This is general information, not legal advice – for a specific product or contract, have an IP attorney review it.)
First: You Own What You Create, So Buyers Get a License
Start with the good news. The moment you design an original Notion template, write a preset from scratch, or lay out a planner, copyright in that work is yours automatically – no registration required (though registering earlier unlocks stronger remedies if someone copies you). When a customer buys your digital product, you’re not handing over your copyright. You’re granting them a license: permission to use what you made, on the terms you set.
Track the cases yourself
Every current AI-copyright ruling — and the ones still being fought — lives in our AI Copyright Ruling Tracker. Filter by your creator type to see, in plain language, how each case affects your rights.
That framing matters because it’s exactly how the fonts, presets, and stock inside your product work too. You didn’t buy those outright either – you bought a license. So the real skill of selling digital products legally is reading two directions at once: what you’re allowed to include from others, and what you’re granting to your buyers.
Fonts: You’re Licensing Software, Not Buying Letters
Fonts are where creators trip most often, partly because the law is genuinely counterintuitive. In the United States, the shape of the letters – the typeface design itself – is not protected by copyright. That’s spelled out in the Copyright Office’s own rules (37 CFR 202.1(e)) and Circular 33: typeface “as such” is not copyrightable.
But the font file – the actual software (a .otf or .ttf) that tells your computer how to draw those letters – is protectable as a computer program. A federal court confirmed this in Adobe Systems v. Southern Software (1998), ruling that the code inside a font file is original, copyrightable software. So when you “buy a font,” you’re really buying a license to a piece of software, and that license – the EULA (End User License Agreement) – sets the rules.
Font EULAs typically slice usage into buckets, and each may cost extra:
- Desktop license – install and use the font to create designs on your machine.
- Webfont license – embed the font on a live website (often metered by pageviews).
- App/e-book/embedding license – bundle the font inside a file or product you distribute.
- Commercial vs. personal use – many free fonts are personal-use-only, and using them on products you sell breaks the terms.
The danger zone for digital-product sellers is that fourth bucket. Selling a Canva template, a Procreate file, or an editable PDF that embeds a font so the buyer can use or extract it usually requires an embedding or extended license – a standard desktop license rarely covers “pass this font along inside a product.” When in doubt, use fonts that are truly open (like SIL Open Font License families) and still read their terms, because even open-font licenses have conditions.
Presets and LUTs: Sell Your Own, Never Resell Someone Else’s
A Lightroom preset or a video LUT is basically a small file recording a set of adjustment values. If you dialed in those settings, you can absolutely package and sell them – that’s your creative work.
Two traps catch people here. First, you cannot resell presets you bought from someone else, or bundle them into “mega packs” you sell. Buying a preset pack licenses you to use it on your photos, not to redistribute it. Second, watch the demo images: the before/after shots and marketing photos that sell your preset need to be your own or properly licensed – grabbing a stunning travel photo off the internet to show off your preset is its own infringement. Sell the settings you created, showcased with images you’re allowed to use.
Templates: The Platform’s Terms Are Part of the Deal
Canva, Notion, Figma, and similar tools add a second rulebook on top of copyright: the platform’s own terms. Your right to sell a template built in one of these tools is shaped by what the platform allows.
Canva is the classic example. You can design freely, but Canva’s Content License Agreement restricts what you can do with the stock elements (photos, graphics, fonts) it provides – you generally can’t redistribute those elements as a standalone template or in a way that lets others pull them out and reuse them, and you can’t create a product that competes with Canva itself. A safe Canva template to sell is usually one built with your own or openly-licensed assets, delivered as a “make a copy” link rather than a bundle of extracted Canva stock. Notion, by contrast, is friendly to creators selling templates – but you still can’t include third-party content you don’t have the rights to. The rule of thumb: read the terms of every platform in your supply chain, not just the one you’re selling on.
The Golden Rule: Don’t Redistribute What You Only Licensed
Almost every mistake above collapses into one principle. A license usually grants you the right to use an asset – not to redistribute it so a third party can extract and use it themselves. Stock photo licenses say it plainly: you can’t make the image available for others to download or use as a standalone file. The same logic covers fonts embedded so buyers can lift them, icon sets dropped into an editable template, and “free for personal use” graphics sold inside a commercial product.
Before you list a product, do a supply-chain audit: list every font, photo, icon, preset, and template element inside it, and confirm each one’s license permits this use – commercial, embedded, redistributable. If an asset can’t clear that bar, replace it with something you made, something you bought an extended/embedding license for, or something under a genuinely permissive open license.
Give Your Buyers a Clear License
Now flip to your side of the counter. Because you keep the copyright in your product, you decide what buyers can do with it – so spell it out. A short, readable end-user license on your product page prevents disputes and lets you charge more for broader rights. A common ladder:
- Personal license – one buyer, their own personal use; no reselling, no client work.
- Commercial license – use in the buyer’s own business or client projects, but not resold as-is.
- Extended license – broader rights, such as using your template inside a product they sell, priced accordingly.
Always state the hard line clearly: buyers get to use your product, but they cannot resell, redistribute, or claim it as their own template. That single sentence is the digital-product equivalent of a lock on the door.
What This Means for You
Before you sell anything digital:
- Audit every part. Fonts, photos, icons, presets, template elements – confirm each license allows commercial and (where relevant) embedded or redistributable use.
- Treat fonts as software. The letter shapes are free in the US, but the file isn’t – a desktop license usually won’t cover embedding a font in a product you sell. Buy the right tier or use truly open fonts.
- Only sell presets and settings you created, showcased with images you own or licensed. Never resell packs you bought.
- Read the platform terms for Canva, Notion, Figma, or wherever you build – their stock elements come with strings.
- Write your own buyer license. Offer personal, commercial, and extended tiers, and state plainly that resale and redistribution aren’t allowed.
- Keep your receipts. Save the license documents for every asset you paid for – if a marketplace ever questions a listing, proof of license ends the conversation fast.
The one-line takeaway: you own what you make, but you only licensed what you bought. Sell your own creativity freely, respect the terms on everything you built with, and hand your buyers a clear license of their own. Do that, and your digital storefront rests on solid ground instead of a takedown waiting to happen.
Sources & further reading:
- 37 CFR 202.1 – Material not subject to copyright (typeface as such) (Cornell LII)
- Adobe Systems Inc. v. Southern Software, Inc. (N.D. Cal. 1998) – font software is copyrightable
- U.S. Copyright Office – Circular 33: Works Not Protected by Copyright
- Monotype / MyFonts – End User License Agreement (font EULA reference)
- Canva – Content License Agreement